A serious critic has to comprehend the particular content, unique  structure, and  special meaning of a work of art. And here she faces a dilemma. The critic must recognize the artistic element of uniqueness that requires subjective reaction; yet she must not be unduly prejudiced by such reactions. Her likes and dislikes are less important than what the work itself communicates, and her preferences may blind her to certain qualities of the work and thereby prevent an adequate understanding of it. Hence. it is necessary that a critic develop a sensibility informed by familiarity with the history of an and aesthetic theory On the other hand, it is insufficient to treat the artwork solely historically ,in relation to a fixed set of  ideas or values. The critics knowledge and training are , rather a preparation of the cognitive and emotional abilities needed an adequate personal response to an artworks  own particular qualities.  According to the author, a serious art  critic may avoid being prejudiced by her  subjective reactions if she

A     treats an artwork in relation to a fixed set  of ideas and values

B     brings to her observation a knowledge of art history and aesthetic theory

C    allows more time for the observation of each artwork

D    takes into account the preferences of other art  critics

Solution

Correct Answer: Option B

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